Often the most suppressed environments yield the greatest examples of artistic expression. When there’s an oppressive force to legitimately kick against, every opposing shout rings with more vehemence. Consider Czechoslovakia in the 1960s. Having been under a none-too-popular communist regime since the late forties, there was plenty to be upset about. The economy was in collapse, food was in short supply and large factions of the population felt distrustful of their government (when have large factions of the population EVER trusted their government?). While the earlier Devětsil movement may have helped pave the way for the New Wave, stricter censorship made true cinematic dissent difficult to achieve. With a more relaxed attitude toward censorship and greater access to funding, a brief, but beautiful, period of pure cinematic expression flourished and gave birth to internationally recognised figures such as Miloš Forman. This enviable period was soon thwarted during the infamous Prague Spring. Some filmmakers fled the country while those remaining had their work systematically banned.
The above is a VERY brief account of an amazing period. The films produced are among some of my favourites and always provide inspiration. This post isn’t about the films themselves though. I hope to make the Czech New Wave a regular feature on Trash Complex, but for now, I want to focus on the posters that accompanied these films. They provide an amazing insight into the films themselves and are a design nerd’s wet dream. I get lost in them. I am eternally grateful to brilliant companies like Second Run for making so many of these films available, but I sure do wish they’d reproduce the original Czech poster art. So what follows is not a comprehensive archive, but a compendium of some personal favourites. Space doesn’t allow for much more, but this won’t be the last you see of these beautiful posters.
O Slavnosti a Hostech (The Party and the Guests) 1966
Malá Morská Víla (The Little Mermaid) 1976
(okay, so this one techinally falls outside of the New Wave era, but I love it)
Spalovac Mrtvol (The Cremator) 1969
Horí, má Panenko (The Fireman’s Ball) 1967
Slnko v Sieti (The Sun in a Net) 1962
Kazdy Den Odvahu (Courage For Every Day) 1964
Prípad pro zacínajícího kata (Case for a Rookie Hangman) 1970
Valerie a Týden Divu (Valerie and Her Week of Wonders) 1970
Den Sedmý – Osmá Noc (The Seventh Day, the Eighth Night) 1969
So there’s a measly 10 posters. Look out for more soon. What are some of your favourites? Link to them in the comments below. I would love to discover some new ones and learn about why you love posters not included in the above list.
On another note, if you have any high quality images of Czech New Wave posters, I would LOVE to hear from you.
Filed under: Czech New Wave, Design, Film Tagged: | Case for a Rookie Hangman, Courage For Every Day, Czech New Wave, Czechoslovak New Wave, Daisies, Milos Forman, The Cremator, the Eighth Night, The Fireman's Ball, The Little Mermaid, The Party and the Guests, The Seventh Day, The Sun in a Net, Valerie and Her Week of Wonders




[...] for some inspiration or just some cool pictures to stare at? Head on over to Matthew Revert’s Trash Complex, where he has posted some incredible Czech new wave film posters. Also, over at Bizarro Central, [...]
I think Valerie might be my favourite – The Party and The Guests is a close (very close) second.
There are so many to choose from. I thought it would be a bit excessive to post more than 10. Valerie is a beautiful one. The copy of Valerie I have on DVD sure doesn’t have a cover like that!
Thank you Matthew for posting this great collection of images. It’s hard to find good quality versions of some of these Czech posters.
a pleasure. i dearly wish i had high res copies of these posters. these were the largest i could find. it eats me up that the Sedmikrásky image is smaller than the others, but it couldn’t leave it out.
… [Trackback]…
[...] Read More here: trashcomplex.wordpress.com/2011/12/13/czech-new-wave-film-posters/ [...]…